At What Point Did Water Fountains Originate?

At What Point Did Water Fountains Originate? Hundreds of ancient Greek documents were translated into Latin under the auspices of the scholarly Pope Nicholas V, who led the Roman Catholic Church from 1397 to 1455. Beautifying Rome and making it the worthy capital of the Christian world was at the center of his objectives. Restoration of the Acqua Vergine, a desolate Roman aqueduct which had carried clean drinking water into the city from eight miles away, began in 1453 at the behest of the Pope. Building a mostra, a grandiose commemorative fountain built by ancient Romans to memorialize the arrival point of an aqueduct, was a tradition revived by Nicholas V. At the bidding of the Pope, architect Leon Battista Alberti began the construction of a wall fountain in the spot where we now find the Trevi Fountain. The Trevi Fountain as well as the renowned baroque fountains found in the Piazza del Popolo and the Piazza Navona were eventually supplied with water from the altered aqueduct he had reconstructed.

Ancient Greece: Architectural Sculpture

Ancient Greece: Architectural Sculpture Sculptors adorned the complex columns and archways with renderings of the greek gods until the time came to a close and most Greeks had begun to think of their religion as superstitious rather than sacred; at that point, it grew to be more common for sculptors be compensated to depict everyday people as well. Portraiture became commonplace as well, and would be accepted by the Romans when they defeated the Greeks, and sometimes affluent households would order a depiction of their progenitors to be placed inside their huge familial tombs. All through the years of The Greek Classical period, a time of aesthetic development, the use of sculpture and many other art forms transformed, so it is erroneous to think that the arts delivered merely one purpose. Greek sculpture is perhaps enticing to us all nowadays seeing that it was an avant-garde experiment in the historic world, so it doesn't make a difference whether its original function was religious zeal or artistic enjoyment.
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